Well, saved from what? I prayed for this
at thirteen, this shithole shoved up its own
shallow harbour. After all,
a national literature begins with a flood:
Akkad, Acadia—the epic's blood
is disaster. The permafrost warms my heart
when I see it seeping into old stovepipes,
or see the church, there, choking it down.
Disembodied lips tip-toe on hilltops,
nipping up and down for a quick gulp of air.
We should’ve grown gills when given the chance,
I s'pose, but I s'pose that's the government's fault.
I allow the air's all salt.
The permafrost cuts my throat,
my punt a tongue on the hunt for the
proper way to pronounce
myself, alone, in a borrowed punt on a calm grey plain of
flobbing water,
with minims of bells lightly tinkling somewhere, punctuated by
the occasional gasp
of a drowning distant relative, while I nod into an interminable,
purgatorial
fog, a prehistoric fog, and all that's left of this place, my home,
breaks its nails
on the slippery peaks of memory
But isn't that us all over again,
a crate full of flares and no flare gun.
Jesus Christ.
Renews, 2121:
The birds I've sent have yet to return.
Patrick O’Reilly, "Renews 2121," from A Collapsible Newfoundland. Frog Hollow Press, 2020.